Stephen King's bestselling novel "It" was first published in 1986, and centered on a group of outcast kids in the town of Derry, Maine, who come face to face with an evil entity in the form of a clown. The book was first adapted into a classic T.V. miniseries in 1990, and starred Tim Curry as the villainous Pennywise (who became the source of a lot of kids' nightmares from then on). The new 2017 version, from director Andy Muschietti (2013's Mama) ups the fear factor to 11 and combines supernatural horror (a demonic creature terrorizing children) with human drama and trauma (children who regularly face bullying and even adult abuse).
It all begins with a stormy night in 1988 when little Georgie takes his paper boat (made by his stuttering brother Bill) out into the rain. Soon, Georgie has an encounter in a sewer with a mysterious figure, who promises him a fun adventure. But then, . . . well, you know where this is going, especially if you've read the book. (Cue horrific scene.)
Twelve-year-old Bill and his preteen friends (Richie, Eddie, Stanley, as well as new kid Ben, homeschooled Mike, and girl Beverly) learn their small town has a history of a deadly curse that comes every 27 years. "People die here," one character tells us, "six times the national average. And that's just grown ups. Kids are worse. Way worse." That curse comes in the form of the aforementioned clown, who appears to each kid as the thing they fear the most. For Bill, it's losing his little brother. For Mike, it's rotting corpses of a factory bombing he survived. For Beverly, it's possibly becoming a woman, due, in part, to an apparently, sexually-abusive father. For Richie, it's simply just . . . clowns.
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There is something intriguing, though, about the difference between facing monsters in fantasy and facing monsters in real life, and overcoming all those fears as a group instead of alone. "What happens when another Georgie goes missing," Bill asks the others. Screenwriter Gary Dauberman was recently interviewed by PluggedIn's Paul Asey about using the supernatural horror genre to tackle such themes. Said Dauberman, "I think that has to do with me really being a believer that there's something that's greater than all of us, and that death is not an end. . . . So writing and researching these stories kind of reaffirms that for me in a way. Even if there's a demonic presence, I'm always going, 'If there's a demonic presence, that means that somewhere out there there's good.' And a lot of times in these movies, the good comes from within." Furthermore, the idea of not letting fear and the thought of being an outsider define you (and "starving" it in the process) is a noble theme and action in and of itself.
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And, of course, there's all those graphic and violent images that come across the screen every 5-10 minutes or so, including carved torsos, severed heads, razor-sharp teeth, blood shooting out of bathroom sinks a la Carrie or The Shining, a chaarcter who gets stabbed in the neck, another whose arm is bitten off, and a villain whose form disfigures and contorts to horrifying effect. It's a terrifying experience indeed.
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