Wednesday, October 4, 2017

REVIEW: "IT" Is Surprisingly Effective But Still Very Frightening (and Troubling) In Its Supernatural and Human Elements


Stephen King's bestselling novel "It" was first published in 1986, and centered on a group of outcast kids in the town of Derry, Maine, who come face to face with an evil entity in the form of a clown. The book was first adapted into a classic T.V. miniseries in 1990, and starred Tim Curry as the villainous Pennywise (who became the source of a lot of kids' nightmares from then on). The new 2017 version, from director Andy Muschietti (2013's Mama) ups the fear factor to 11 and combines supernatural horror (a demonic creature terrorizing children) with human drama and trauma (children who regularly face bullying and even adult abuse).

It all begins with a stormy night in 1988 when little Georgie takes his paper boat (made by his stuttering brother Bill) out into the rain. Soon, Georgie has an encounter in a sewer with a mysterious figure, who promises him a fun adventure. But then, . . . well, you know where this is going, especially if you've read the book. (Cue horrific scene.)

Twelve-year-old Bill and his preteen friends (Richie, Eddie, Stanley, as well as new kid Ben, homeschooled Mike, and girl Beverly) learn their small town has a history of a deadly curse that comes every 27 years. "People die here," one character tells us, "six times the national average. And that's just grown ups. Kids are worse. Way worse." That curse comes in the form of the aforementioned clown, who appears to each kid as the thing they fear the most. For Bill, it's losing his little brother. For Mike, it's rotting corpses of a factory bombing he survived. For Beverly, it's possibly becoming a woman, due, in part, to an apparently, sexually-abusive father. For Richie, it's simply just . . . clowns.

Pennywise: every child's and adult's worst nightmare
Pennywise is as horrific, nightmarish, and unpredictable a villain as I've ever seen on screen, even more than Curry's iconic portrayal. I can't even look at images of actor Bill Skarsgard in his clown makeup without freaking myself out, whether he's starring at you blankly (like above, sort of) or scurrying about in a haunted house, in the sewers, or in a projector (a truly jumpy scene, see below).

There is something intriguing, though, about the difference between facing monsters in fantasy and facing monsters in real life, and overcoming all those fears as a group instead of alone. "What happens when another Georgie goes missing," Bill asks the others. Screenwriter Gary Dauberman was recently interviewed by PluggedIn's Paul Asey about using the supernatural horror genre to tackle such themes. Said Dauberman, "I think that has to do with me really being a believer that there's something that's greater than all of us, and that death is not an end. . . . So writing and researching these stories kind of reaffirms that for me in a way. Even if there's a demonic presence, I'm always going, 'If there's a demonic presence, that means that somewhere out there there's good.' And a lot of times in these movies, the good comes from within." Furthermore, the idea of not letting fear and the thought of being an outsider define you (and "starving" it in the process) is a noble theme and action in and of itself.

The Losers Club
The film (though episodic) is also a strange piece of 80s nostalgia. I did enjoy the little nods to artists like New Kids on the Block and Young MC, and even film titles like 1989's Batman on the town theater marquee. While the cast certainly is phenomenal, and there are some surprisingly poignant moments, there are several more that are problematic and very upsetting. For one thing, the town bullies, led by Henry Bowers, are just sadistic and cruel. But do we really need to hear the other kids cussing out f-bombs every so often? There's also that scene at the lake where the kids swim half-naked and even ogle Beverly. Most of (if not all of) these children clearly have terrible parents, or at least live in a town where parents and grown-ups cannot be trusted (a common theme in popular films of the 80s, from E.T. to The Goonies to Stand By Me).

And, of course, there's all those graphic and violent images that come across the screen every 5-10 minutes or so, including carved torsos, severed heads, razor-sharp teeth, blood shooting out of bathroom sinks a la Carrie or The Shining, a chaarcter who gets stabbed in the neck, another whose arm is bitten off, and a villain whose form disfigures and contorts to horrifying effect. It's a terrifying experience indeed.

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