The goal of comedy is to get people to laugh, whereas the goal of horror is to get people to be scared. As a filmgoer, those who know me well know that I generally try to avoid horror films, as a large majority of them arguably focus on nihilistic and mean-spirited gore and violence, which makes them very maddening and even palpable. (Read here for my review of the Scream series, despite its clever meta aspects). It's rare, though, that a "horror" film actually has something provocative to say, in spite of its excess in said gore and/or fright factors. With that in mind, I did find "Cabin in the Woods" (2012) interesting to an extent, due to its meta elements.
Get Out, the directorial debut from Jordan Peele (one half of the famous comedy duo Key & Peele), is another rare case of a horror-thriller with such social commentary--in this case, racial fears in America. Having read many reviews of this film (without spoilers), not to mention its 99 percent "fresh" rating on Rotten Tomatoes, I was intrigued to view it--with discretion and discernment, of course.
|Director Jordan Peele behind the scenes|
One of Peele's influences was reportedly George Romero's original Night of the Living Dead, which features a black protagonist, with perhaps a little Guess Who's Coming to Dinner-meets-Stepford Wives thrown in. (Isn't it just creepy the way the house servants talk?!?) Peele also balances elements of comedy (especially Chris's TSA friend Rod, played by LilRel Howery) with clichéd jump scares.